Forsythia…

It was spring at last. Algy’s home in the wild West Highlands was still being blasted by an icy wind carrying battering showers of rain mixed with hail or sleet, but it was undoubtedly spring at last, and there were times between the showers when the sky turned blue and the bright new flowers revelled in the sunshine.

Algy loved the early spring because there were so many flowers which shared his own sunny colours. Waiting for an auspicious moment when the wind seemed to have dropped to a tolerable level for a wee while and the clouds had dispersed, temporarily at least, he settled himself into a sunny forsythia bush and thought of a poem he had once read… and of you, all his friends around the world…

You said, take a few dry
sticks, cut the ends slantwise
to let in water, stick them
in the old silver cup on the
dresser in the spare room and
wait for the touch of Easter.
But a cold wave protected the
snow, and the sap’s pulse beat
so low underground I felt no
answer in myself except silence.
You said, winter breaks out in
flowers for the faithful and
today when I opened the door
the dry sticks spoke in little
yellow stars and I thought
of you.

[Algy is quoting the poem Forsythia by the 20th century American poet and philosopher, James Hearst.]

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The Flying Dutchman…

Suddenly, Algy noticed that the din of human voices which he had heard from the other side of the bay had ceased; all was silent, except the creaking of the boats as they swayed against the strange floating structure he was perching upon. Puzzled, Algy flew a wee bit closer. The tall ship appeared to be deserted now, which seemed odd; he hadn’t noticed the humans moving away, and he had seen them bustling about all over it just a short time ago. The clouds were moving swiftly across the sky, creating ever changing patterns of shadow and light, and for a moment the sun illuminated the name which was painted on the side of the boat. Algy gasped and shuddered, then quickly turned away, and pretended to be gazing at something fascinating across the bay, in the opposite direction. The opening lines of a long poem came into his mind… “Long time ago, from Amsterdam a vessel sailed away…” he thought, and then remembered the end of the famous tale:

Once more the lurid light gleamed out, – the ship was still at rest,
The crew were standing at their posts; with arms across his breast
Still stood the captain on the poop, but bent and crouching now
He bowed beneath that flat dread, and o’er his swarthy brow
Swept lines of anguish, as if he a thousand years of pain
Had lived and suffered. Then across the heaving, sullen main
The tempest shrieked triumphant, and the angry waters hissed
Their vengeful hate against the toy they oftentimes had kissed.
And ever through the midnight storm that hapless crew must speed;
They try to round the Stormy Cape, but never can succeed.
And oft when gales are wildest, and the lightning’s vivid sheen
Flashes back the ocean’s anger, still the Phantom Ship is seen
Ever heading to the southward in the fierce tornado’s swoop,
With her ghostly crew and canvas, and her captain on the poop,
Unrelenting, unforgiven; and ’t is said that every word
Of his blasphemous defiance still upon the gale is heard!
But heaven help the luckless ones to whom the sight appears, –
The doom of those is sealed near whom the ghastly sailor steers;
They’ll never reach their destined port,—they’ll see their homes no more, –
They who see the Flying Dutchman – never, never reach the shore!

Algy wishes you all a very happy time this weekend, and hopes that you will not encounter any doomed ghosts… 😀

[Algy is quoting the first line and the final stanza of the poem The Flying Dutchman by the 19th century Irish poet and journalist, John Boyle O’Reilly.]

Still Waiting…

A cold breeze was starting to whistle across the water, and Algy began to feel a wee bit exposed and chilly out in the open. Looking across to the other side of the slipway, he observed an odd structure which he could see right through, more or less. It was open on one side, and apparently contained a long, silvery perch, possibly for the convenience of those who might seek protection from the wind…

He flew over to the object and inspected it cautiously, trying to determine whether it would be acceptable for a fluffy bird to enter and wait within. A mysterious notice to one side read “RNLI PERSONNEL ONLY”, and for a moment Algy thought that it might be intended to prohibit fluffy birds from the area. But after careful inspection he concluded that although he wasn’t quite sure what the notice meant, it seemed to apply to an area beyond the transparent structure and not to the structure itself. So, as there was no-one else taking advantage of the shelter, Algy eventually decided that there would be no harm in his resting inside, out of the biting wind, while he continued to wait for some transport back home. He settled himself on the edge of the strangely uncomfortable, slatted perch, swinging his legs idly to and fro, and with little else to do except consider the store of poetry he kept inside his head, he began to recite quietly:

Today I will let the old boat stand
Where the sweep of the harbor tide comes in
To the pulse of a far, deep-steady sway.
And I will rest and dream and sit on the deck
Watching the world go by
And take my pay for many hard days gone I remember.

I will choose what clouds I like
In the great white fleets that wander the blue
As I lie on my back or loaf at the rail.
And I will listen as the veering winds kiss me and fold me
And put on my brow the touch of the world’s great will.

Daybreak will hear the heart of the boat beat,
Engine throb and piston play
In the quiver and leap at call of life.
To-morrow we move in the gaps and heights
On changing floors of unlevel seas
And no man shall stop us and no man follow
For ours is the quest of an unknown shore
And we are husky and lusty and shouting-gay.

[Algy is reciting the poem Waiting by the 20th century American poet Carl Sandburg.]

Waiting…

Algy flew slowly over to the spot where he had first arrived on the island, and perched on a massive, hard structure whose nature he did not understand. It could hardly be intended for the purpose of holding back the sea, as a cliff of natural stone rose directly behind it, but he supposed that the humans had had some reason for building it, and it did provide a convenient and very solid perch for fluffy birds who happened to be waiting for transport.

However, there was no ferry boat anywhere in sight… Algy wondered whether it would indeed come back for him, but he was not in any hurry; the sun was still shining, and it was peaceful just sitting beside the sea, listening to the gentle splashing of the small waves on the slipway. As he settled down contentedly to wait, he remembered a poem from long ago, written by an American naturalist:

Serene, I fold my hands and wait,
Nor care for wind, nor tide, nor sea;
I rave no more ‘gainst time or fate,
For lo! my own shall come to me.

I stay my haste, I make delays,
For what avails this eager pace?
I stand amid the eternal ways,
And what is mine shall know my face.

Asleep, awake, by night or day,
The friends I seek are seeking me;
No wind can drive my bark astray,
Nor change the tide of destiny.

What matter if I stand alone?
I wait with joy the coming years;
My heart shall reap where it hath sown,
And garner up its fruit of tears.

The waters know their own and draw
The brook that springs in yonder height;
So flows the good with equal law
Unto the soul of pure delight.

The stars come nightly to the sky;
The tidal wave unto the sea;
Nor time, nor space, nor deep, nor high,
Can keep my own away from me.

[Algy is quoting the poem Waiting by the 19th century American naturalist, essayist and occasional poet, John Burroughs.]

What Says the Clock?

Algy hopped back down onto the beach, keen to try as many different kinds of perch as he could find in this exciting new environment. He noticed that the local birds seemed to be masters of all perches, but when he tested some of the more unusual options he discovered that some were a wee bit more challenging for a fluffy bird than others, requiring a high degree of acrobatic skill and an advanced sense of balance which he had not had a chance to develop adequately…

As he wobbled from side to side, trying not to look foolish – and above all, not to fall off – in full view of the cackling sea birds who were watching him from the water, a loud sound tolled out from behind him, with a deep, clear note. The repeated tone was mesmerizing, and with the tide crawling slowly out further beyond the beached boats, he was inevitably reminded of some verses by one of his favourite poets, which he had noted especially because he had feathers instead of hair…

Saddle and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
What says the Clock in the Great Clock Tower?
All those tragic characters ride
But turn from Rosses’ crawling tide,
The meet’s upon the mountain-side.
A slow low note and an iron bell.

What brought them there so far from their home.
Cuchulain that fought night long with the foam,
What says the Clock in the Great Clock Tower?
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
A slow low note and an iron bell.

Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
What says the Clock in the Great Clock Tower?
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
A slow low note and an iron bell.

[Algy is quoting the Song for the Severed Head from the play The King of the Great Clock Tower by the 20th century Irish poet William Butler Yeats.]

He thought he saw…

As the fishermen who were mending their nets at the end of the wharf kept on looking at him, Algy came to the conclusion that his presence must be making them a wee bit nervous. He certainly didn’t want to distract them from their work, or cause them any alarm, so he turned away and moved to the further side of a large bollard near the edge of the quayside, to make it clear that he was no longer watching them. The hard surfaces of these man-made structures were not at all congenial to perch upon or lean against, but Algy was so fascinated by the strange new environment he had discovered that he resolved to put up with the discomfort a little longer. As he tried to make sense of the confusing jumble of objects on the pier, and reflected upon the odd activities of the humans he had seen, he was reminded of some well-known verses by Lewis Carroll. So Algy started to sing quietly to himself:

He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
“At length I realise,” he said,
“The bitterness of Life!”

He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister’s Husband’s Niece.
“Unless you leave this house,” he said,
“I’ll send for the Police!”

He thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
“The one thing I regret,” he said,
“Is that it cannot speak!”

He thought he saw a Banker’s Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus
“If this should stay to dine,” he said,
“There won’t be much for us!”

[Algy is quoting some of the verses from The Mad Gardener’s Song, which appear scattered at intervals in chapters of Syvie and Bruno by the 19th century English writer and logician, Lewis Carroll.]

A Light Exists in Spring…

Algy relaxed in the safety of the wee corner he had found, and basked in the unaccustomed warmth of the early spring sunlight. The wind was still icy, but in a sheltered spot it felt comfortably pleasant – as is so often the case in the wild west Highlands of Scotland when the sun deigns to shine…

It was the vernal equinox, and as Algy gazed at the bright colours glowing all around him, he rejoiced at the start of the light half of the year – and remembered some lines from a poem he had read, although he felt that its reference to human nature was a wee bit restrictive…

A light exists in spring
Not present on the year
At any other period.
When March is scarcely here

A color stands abroad
On solitary hills
That silence cannot overtake,
But human nature feels.

Algy wishes all his friends in the northern hemisphere a very Happy Spring!

[Algy is quoting the first two stanzas of a A Light Exists in Spring by the 19th century American poet Emily Dickinson.]

Pied Beauty

Algy flew over to a soft, mossy bank beneath a spreading holly tree, which, with the exception of the vigorous ivy that smothered some of the older tree trunks, provided the only truly bright green in the woodland at this time of year. He lay back comfortably on a bed of last year’s fallen leaves, dreaming idly of the exciting new adventures that lay ahead while he gazed at the beautiful, dappled pattern of shadows which the holly leaves cast in the bright spring sunlight. It reminded him of one of his favourite poems:

Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.

All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.

Algy wishes you all a joyful and peaceful Sunday!

[Algy is quoting the poem Pied Beauty by the late 19th century English poet Gerard Manley Hopkins.]

The Triumph of Life

Algy tucked himself down among the soft mass of dry bracken and last year’s fallen leaves, and reclined there happily, spreading his wings to catch as much of the late winter sun as he could. The sun was strong enough now to dazzle his eyes and cast deep shadows all around him, but its warmth was only the tepid heat of someone who has just woken up from a long, cold winter’s sleep. He rejoiced in the return of the light, however, and was reminded of the opening lines of Shelley’s poem:

Swift as a spirit hastening to his task
Of glory and of good, the Sun sprang forth
Rejoicing in his splendour, and the mask
Of darkness fell from the awakened Earth.

[Algy is quoting the opening lines of the long, unfinished poem The Triumph of Life by the 19th century English poet Percy Bysshe Shelley.]

What art thou, frost?

Algy alighted cautiously on the frozen surface of the burn, and perched as lightly as he could on the sparkling crystals. He wondered whether the ice would hold his weight, or whether he would suddenly be plunged into the freezing water, which he could see bubbling through a narrow channel to his side, and feel tickling him through his chilly perch as it gurgled beneath him. He was reminded of some lines from an old poem:

What art thou, frost? and whence are thy keen stores
Deriv’d, thou secret all-invading power,
Whom ev’n th’ illusive fluid cannot fly?
Is not thy potent energy, unseen,
Myriads of little salts, or hook’d, or shap’d
Like double wedges, and diffus’d immense
Through water, earth, and ether? Hence at eve,
Steam’d eager from the red horizon round,
With the fierce rage of Winter deep suffus’d,
An icy gale, oft shifting, o’er the pool
Breathes a blue film, and in its mid-career
Arrests the bickering stream. The loosen’d ice,
Let down the flood and half dissolv’d by day,
Rustles no more; but to the sedgy bank
Fast grows, or gathers round the pointed stone,
A crystal pavement, by the breath of heaven
Cemented firm; till, seiz’d from shore to shore,
The whole imprison’d river growls below.

Algy sends special fluffy hugs to all his friends in the frozen north this weekend, to help you all keep warm this weekend, and he says “If you venture out onto the ice, please take great care!” xo

[Algy is quoting a few line lines from Winter, part of the long poem cycle The Seasons by the 18th century Scottish poet James Thomson.]